Chapter One

December 25, 1934
Knightsbridge, New York

“I need you to come to Paris.”

“You need what?” he asked.

Detective Steven Blackwell stared at the younger version of his mother standing in the room that had been her studio. Jaw dropped, eyes like saucers. He could barely speak.

“I need you—and your friend Olivia, if you like—to come to Paris. There’s been a murder and the police aren’t doing anything,” said Evangéline. “I thought I heard a voice a minute ago. Was that Olivia? Why don't you get her? She’s probably wondering what’s going on.”

In a daze, and feeling like he had no control over his actions, Steven turned away from the vision of his mother and stumbled out into the hallway. He saw Olivia still waiting in the doorway at the end of the hall. Her hand flew to her chest, and she heaved a great sigh. “Oh, my God, you’re okay! What’s going on? I thought I heard voices. Is somebody here?” As he came closer, she noticed the look on his face. “What’s wrong? You look funny.”

“It’s my mother. My mother’s here.”

“What?”

“She looks as real as you do, but she’s young, around our age. She said she needs me to go to Paris. And you should come too.”

“What?” For one terrifying moment, Olivia wondered if a year of grieving had unhinged Steven’s mind. How could his mother be here? Evangéline Neuilly Blackwell died last January.

Steven repeated Evangéline’s instructions. “She said I should come get you.” He held out his hand. Olivia took it and stepped over the threshold into 1934.

They moved slowly down the hall then paused at the doorway to look at each other. Steven squeezed her hand. Olivia nodded. They both took a deep breath then entered Evangéline’s studio.

There in the shadowy room stood a beautiful woman, shoulder-length copper hair shining in the lamplight. She was slender, taller than average, and wore a stunning emerald dress, the kind French women wore to perfection. A wool coat with a fur collar had been thrown over the back of a chair. She held out her hand toward Olivia.

“Hello. I’m Evangéline Neuilly. I’m so happy to meet you.”

Olivia had always wanted to meet Steven’s exotic-sounding mother—a famous French artist—but that possibility had died along with Evangéline. Or so she had thought. Olivia told herself to close her mouth, which had fallen open, and shook the woman’s hand. “Olivia Watson.”

Evangéline looked at Steven. “I can tell you’re surprised to see me. I must not have told you about my ability to time travel. Surely, you wondered why you can? And if your father or I also had that ability?”

“Eh, no. Not really.”

Evangéline rolled her eyes and gave Olivia a look that said, Men, huh?

Olivia couldn’t help grinning.

“Well,” Evangéline opened her arms wide, “here’s the answer to your unasked question. You got it from me.”

Olivia recovered first. “So, Evangéline, you traveled here from...when?”

“1895. And I really need your help. Both of you.” She shook her head and waved her hand back and forth. “I know. I know. You have a lot of questions. Let’s go downstairs and have something to drink. I’ll tell you what has happened.”

They trouped down the stairs and into the living room.

“I know I must have lived in this house for some time and I assume I decorated this room....” Evangéline turned to Steven for confirmation.

“Yes, we lived here about twenty years or so before you....” He swallowed hard.

“Before I died,” she whispered, then patted his hand. “Pauvre chouchou. Poor sweetheart. I’m so sorry. But, don’t tell me. I don’t want to know when. Of course, I have an idea. But not the exact date.” She opened a door in the sideboard. “Bon! A bottle of red.” She handed the wine to Steven.

Still dazed, he opened it and poured a glass for each of them. Evangéline curled up in a leather chair. Steven and Olivia sat facing her on the couch.

His mother took a sip and pursed her lips. “Not bad. So, listen, we must act fast. A young girl has been killed but the police do nothing. They say it was an accident. We know it was not. I want you to find out who killed Madeleine Gervaise.”

His cop’s instincts kicked in, and Steven found himself intrigued. Who was Madeleine Gervaise? How did she die? Why do the police think it was an accident? And what was her connection to Evangéline?

Suddenly, Steven remembered something Sherlock Holmes once said: “When you have eliminated the impossible, whatever remains, however improbable, must be the truth.” And with that assurance, he snapped out of his stupor and accepted his mother’s bewildering appearance. He leaned forward.

“All right, let’s say, for the sake of argument, that I can and will go to Paris. Answer these questions.” He ticked them off his fingers. “Why do the police think it was an accident? How do you know it wasn’t? When did this happen?”

Evangéline placed her feet on the floor and mirrored him, ticking her answers off her fingers. Olivia almost laughed at the two of them. Talk about a chip off the old block, as her grandfather used to say. “She fell on one of the tall staircases in Montmartre. The police say she slipped on the ice. My friend Henri knows the human body and how it works. He says the...how do you say ‘marks of black and blue’?”

“Bruises,” Olivia chimed in. “We also say black-and-blue marks.”

“Ah! Bon. Henri says the bruises prove someone pushed her. It happened late Sunday night, early Monday morning. Today is already Wednesday. That is why we must move fast.”

Steven groaned, thinking of the days lost. “Is Henri a doctor?”

“No, an artist. But, believe me, Steven, he knows the body. If Henri says she was pushed, she was pushed.”

“So, again, if we were to do this, how would it work?”

“We must go with all speed. That means we must travel in Olivia’s time in one of those fast aeroplanes. That’s how I got here so quickly.”

“Wait, how do you know about Olivia?”

“Oh, mon Dieu, the questions! It is a long story but if it will help speed this up...last summer, I traveled to 1934, to America, with someone on business that had nothing to do with you or my future. When I was in New York City, I saw a photograph in a newspaper of the painting I’m working on right now. The article said a museum in Chicago had bought it and gave information about me, you, and your father. While my friend was completing his business, I had a couple of days to myself, so I took a train here and came to this house. Naturally, I was curious, so I came in and looked around. You really shouldn’t leave your doors unlocked, you know. Anyway, I saw the photograph of Olivia on your dresser. You have her name and the year 2014 written on the back. I realized you had inherited my ability to time travel and that Olivia also had the gift.” Evangéline blew out her cheeks. “Can we not return to the problem at hand now?”

Steven grinned. “Yeah, okay. You know, I always thought you learned English when you moved here with Dad. You speak really well.”

She rolled her eyes. “As you must know, my father is a professor of English at the Sorbonne. He taught me when I was a child.” She took a drink of her wine. “Now, to our problème...I went through the portal in Paris, from 1895 to Olivia’s time.”

“Why did you go into Olivia’s time?”

“If you keep interrupting me, we will never get anywhere. Just listen.” Evangéline took another drink of wine and went on. “Time is of the essence, as it’s already been almost three days. We must travel into 2014 and go to New York City as quickly as possible. Someone there will help us with what we need. Tomorrow night, we’ll fly to Paris. Once we’re there, we’ll travel back to 1895.”

“You make it sound easy. But I have so many questions,” Steven persisted. “How are we going to pay for all this? How do I get a passport fast enough to fly tomorrow? What about other things we might need?”

His mother tilted her head toward the ceiling and sighed. “You think I have come all this way without a plan? Before I left, Henri gave me a sketch. There’s a man in New York City—you will soon learn we have travel agents in cities all over the world who help us. This man in New York City, a place called Brooklyn, is selling the sketch for me, so we’ll have plenty of money. He’ll make a passport and other documents for you, Steven, just as someone in Paris made mine so I could come here.” Evangéline turned to Olivia. “Do you have a passport? Do you drive an automobile?”

“Yes. And I have a car.”

“Can you take us to New York City tomorrow morning so we can get Steven’s documents and the money to buy our tickets for the aeroplane? We must leave for Paris tomorrow night.”

“Sure. Listen, Evangéline, I’m sorry to hear about your friend Madeleine.”

“Thank you. She was lovely—a dancer and one of Henri’s favorite models. Such a waste.”

“Who is Henri? And why would anybody buy one of his sketches?”

“Henri de Toulouse-Lautrec. I think he is well known in your time, Olivia.”

“Toulouse-Lautrec?” Olivia gasped. “He’s a friend of yours?”

“Yes, and he’s now your employer.”

Olivia’s jaw dropped.

Evangéline reached out toward Steven with her empty wineglass then settled back in the chair after he’d refilled it. “Now, let us talk about tomorrow. You must both pack a small bag. Steven, bring any tools or objects you will need to investigate. I don’t know what they might be, but that is most important. When we travel to my Paris in 1895, you can borrow clothes belonging to my friend Théo. He’s away on business right now. His wardrobe is filled with additional items—suits, shirts, collars, and so forth. There’s a cloak and hat as well. Olivia, we’re about the same size. I’m happy to share my clothes with you. I have plenty of skirts and dresses. I have an extra cloak, too. Just bring your personal things.”

Suddenly, Steven realized he had been given a gift. After a long, difficult year of grieving, he had the chance to spend time with the woman who would become his mother. How could he possibly say no?

“I’m sorry, but I have to interrupt again,” Steven said, grinning at Evangéline. “Before it gets too late, I need to call the chief to tell him a family emergency has come up and I need a few days off.” He stood and headed for the phone, then stopped. He turned around and walked back to Evangéline. “I know this is going to be weird for you. You don’t even know me yet. But I have missed you so much!” And he bent down and kissed his mother’s cheek.

***

Excerpt from Murder at the Moulin Rouge by Carol Pouliot . Copyright 2025 by Carol Pouliot . Reproduced with permission from Carol Pouliot . All rights reserved.

Chapter One

Jennifer surveyed the café with satisfied proprietary eyes. The freshmen at the two corner tables were an excellent sign. Having arrived in Williamstown the day before, having unpacked their carefully faded blue jeans and dispatched their carefully dry-eyed parents, having found their way to the registrar’s office and the bookstore with barely concealed terror, they had, no doubt, asked whomever they could find where, you know, it was happening. And they had been sent straight to Café Galadriel to nurse their bludgeoned intellects and wounded sexuality on Jennifer’s coffee for the next four years.

Around them, the unmatched wooden chairs and tables of the café held the usual Monday afternoon crowd. Brownley (Philosophy) and Krasner (Sociology) sat over a game of chess. The Western Massachusetts Women’s Anti-Violence Task Force occupied the round table in the center of the room. Samir Molchev, self-styled seeker of truth, was alone at a corner table reading Suzuki’s The Field of Zen. On the salmon walls, a pre-Raphaelite poster of the Lady of Shallot hung beside a poster of Che Guevara. It will be a great day, read the sign above Wendy’s bakery display case, when schools get all the money they need and the Air Force has to hold a bake sale to buy a bomber. A tattered sofa occupied one wall of the room, the coffee table in front of it piled with backgammon sets and old copies of Ramparts magazine. A Bob Marley tape played on the stereo.

It was the moment of the year when the café was moving into autumn, away from its summer tourist mode. Behind the cash register, Wendy was packing away the pitchers that had held iced tea and cold cider. Her summer uniform of paisley sun dresses had given way to long sleeves and flowing, ankle-length dresses. Short, with a rounded body and small face, Wendy’s size was belied by clothes that began at her shoulders and fell draping to the floor. Her curly, dark red hair followed the same line, rippling down her back and ending just above her waist. Jennifer, whose knowledge of poetry had outlasted work on her dissertation, would have occasion to wonder in the coming weeks if Wendy hadn’t modeled herself on the Tennyson heroine behind her on the wall.

Jennifer herself was at her usual spot, the table by the Vermont Castings wood stove that, in the winter months, would reduce heating bills while contributing to what she thought of as the café’s fake authenticity. She was dressed, as usual, in dungarees, Indian cotton, and the sandals she insisted on wearing until the snow fell, but her short summer haircut was growing out, and her thick brown hair was starting to take on its haphazard winter unruliness.

“I remember you guys,” Jennifer was saying. “You were all practicing to be Leon Trotsky, and you polished your rhetoric and your steely gaze on girls like me who were stuffing envelopes for the cause.”

Beside her, Zachery Lerner grimaced.

“We weren’t really that bad. We were just showing off for each other.”

“Well, you could have fooled me. But anyway, I think it’s amazing that Williams College actually hired you to teach the impressionable young.”

Zach’s reputation had preceded him, not only at Williams but among anyone who remembered the decade just past: Berkeley in the late sixties, a first book on working class resistance to the war, three years in Leavenworth for refusing induction. Jennifer had recognized him, both by reputation and by the studious features that reminded her of all the budding revolutionaries she had always figured she would marry. His curly hair, already a premature salt-and-pepper, circled a rounded face with deep-set brown eyes and broad features. The lumberjack clothes that covered his burly frame would clearly win no friends among the board of trustees. His face, under horn-rimmed glasses, was that of a Russian Jewish revolutionary, which, at several generations removed, he was.

The front door of the café opened with a loud kick. Annie McGantry, Flanders’ organic farmer and herbalist, wedged the door with her shoulder and pulled a trolley topped by a large, covered barrel through the doorway and into the room. She spotted Jennifer and made her way to the table. She eased the barrel off the trolley, made sure that both the trolley and the barrel were standing safely upright, and threw herself into an empty chair.

“Goddamn. Can you believe I ran out of barrels?” she greeted them. “You should see the Kirby cukes this year—it’s like they don’t want to quit. I tell them, ‘Come on, how many pickles do we need? I need to finish canning the tomatoes, so stop putting out, you little sluts, and save some energy for next year.’ I’ve already brought four barrels to the co-op. I can’t start selling them for a week—they won’t be fit for eating. But at least they’re out of my hair. Anyway, here’s your barrel. I put them on your September bill.”

Jennifer groaned. “You brought them here when I can’t sell them for a week? Do you know how much we’ve got piled up in the kitchen already? Susan Broady delivered all the—”

“I promise you you’re not as crowded as the co-op is. I’m, like, buried. You know, I peed on the seeds before I planted them,” she reflected. “I think that’s why everything’s doing so well.”

Jennifer grimaced. “Don’t tell me what you put in the brine, okay?”

Zach regarded Annie with curiosity. Annie was pretty, with strong, if currently grimy features, and she looked to Zach’s urban eyes to be precisely the kind of unwashed earth mother he would have expected to find in the Berkshires. He glanced briefly at the blue jeans stuffed into Wellington boots, the small breasts and narrow hips, the muscled forearms and dirty fingernails. He found himself impressed by the uncompromising look in the light grey eyes.

“Annie manages the co-op.” Jennifer turned to Zach. “She has a back room filled with medicinal herbs, so watch out if you get a rash in her vicinity. Three hundred years ago, she would have been burned as a witch.”

“So,” Zach indicated the pickles. “Tell me what you put in the brine. I love pickles. Or is it a secret old family recipe?”

“My family? Shit. My mother’s only old family recipe was for spoon bread.”

“Well, my grandmother bought pickles in barrels on the Lower East Side. So, what’s in the brine?”

“Salt, of course. Pickling spices. Apple cider vinegar.”

“My bubbe would have been horrified at pickles made with apple cider vinegar. She would have put them in the same category as whole wheat bagels.”

Annie eyed him, suspecting that he was only half teasing her and not entirely clear about what was wrong with whole wheat bagels. Still, she liked his solidity, and she had always been partial to curly hair. He looked utterly unmovable. Annie took it as a challenge.

“She never tried my pickles, then,” Annie drawled. Her voice took on a Southern mountain twang that did not seem quite in keeping with the ANIMALS ARE PEOPLE TOO bumper sticker on her pick-up truck. But it had, Jennifer knew, been her mother tongue. Annie was the offspring of a hard-drinking truck farmer and a deaconess in the Bethel Baptist Church, her small soul the preferred battle ground of her parents’ adversarial marriage. In the end, her father had won. Annie had scraped the mud of Mount Haven, Arkansas, off her first pair of Birkenstocks, hitchhiked to San Francisco for the Summer of Love, and sworn she would never set foot in a church again.

“Honey, you come over one night, and I’ll teach you the art of making pickles, Annie-style. Hell, you can harvest the rest of the damned cucumbers while you’re at it. I could use the help, and you,” she regarded the intellectual paleness of his skin, “could use some time in the great outdoors.”

There was movement at the corner table. Samir Molchev rose from his chair and placed his book in a cloth satchel embossed with Indian appliqué. Jennifer watched him come toward them, his tall body graceful in jeans and a long, white, collarless shirt.

There really was such a thing, Jennifer decided, as being too good-looking for your own good. Or anyone else’s, for that matter. It was as if Samir knew that his body was perfect: broad, graceful shoulders, a soft swirl of hair just visible through his open collar. Soft black hair fell to his shoulders, framing pronounced cheekbones and black, slightly slanted Tartan eyes. All he needed, she thought, was a gold leaf halo and scarlet robes, and the resemblance to a Byzantine icon would be complete.

Beside her, Annie stiffened. “It’s late,” she announced. “I have to get back.” Annie rose, strode across the room and into the café kitchen, and returned with a ladle and an empty mason jar. She raised the lip on the barrel, extracted half a dozen pickles with her fingers, and placed them in the jar. She ladled brine over them, screwed the top onto the jar, and set the jar in front of Zach on the table. “Here you are. A sample. Let it sit for a week before you open it.”

Samir came up behind her. “Peace, all.” He raised his hands in greeting and eyed Zach with curiosity.

Annie ignored him. Zach reached out a hand.

“I’m Zach Lerner. Good to meet you.”

“Zachary Lerner?” Samir asked slowly. The black eyes blinked.

“Yes, that Zachary Lerner,” Jennifer put in. “Williams has stolen him away from Berkeley.”

“And you should hear the Eisenhower Professor of American Democracy on the subject,” Zach smiled. “‘Just what we need, another draft dodger on the faculty!’”

Samir regarded Zach in silence.

Annie stirred impatiently. “Jen, I gotta go. Where should I put the barrel?”

Samir pulled his eyes away from Zach. “Let me get that into the kitchen for you.”

Annie narrowed her eyes. “Don’t bother.”

“Peace, sister. I’m just trying to help you.”

“I’m not your sister, and I don’t need your help.”

“Just leave it, Annie,” Jennifer said hurriedly. “I’ll get someone to help me with it later.”

Annie turned back to Jennifer as if the exchange with Samir had never happened. “Thanks,” she drawled. “I’ve got chickens wanting their dinner.” She nodded to Zach. “Remember, don’t eat those pickles for a week.”

The three of them watched her has she grabbed onto the trolley and wheeled it purposefully out the door. None of them had any reason to suspect that forty-eight hours later one of them would be dead.

***

Excerpt from Part of the Solution by Elana Michelson. Copyright 2025 by Elana Michelson. Reproduced with permission from Elana Michelson. All rights reserved.

ONE

Over the Water

Grief is a scab that I can’t stop picking at, no matter how hard I try. It pokes at me now as I sit in my truck on the deserted ferry dock, surrounded by dense morning fog and waiting for the boat to take me across an expanse of dark water to a house rumored to be cursed.

My fingers trace a photograph taped to my dashboard. My hand trembles, likely from an empty stomach or sleeplessness, as both are constant companions. But I outline the beloved face, forever frozen, like a precious object in amber. Lost to me in the real world, calling to me from the next.

The ferry slides into the dock in front of me with a bump against the pilings. A lone figure moves across the empty deck, while an old, grizzled seaman stays inside the tiny wheelhouse. One captain and one first mate.

Tying the ferry off with ropes thicker than my arm, the mate’s actions are practiced and steady. He lowers a ramp and waves me forward. Ever so slowly, I roll across the water, fighting against holding my breath—the superstition I’ve clung to my entire life every time I cross a bridge. The thirty-minute sail to Salish Island, and tiny Monk’s Rock where my new job awaits, won’t allow me the indulgence, so I might as well continue to breathe despite my need to cling to anything, even a silly belief, to keep me safe.

After parking the truck as the mate directs, I wait as he shoves bright orange chock blocks around all four wheels, as if, without a barrier, my vehicle might drive itself into the sea.

I open my door a crack; our eyes meet. “Can I get out?”

“Of course.”

The first mate is rugged, with an air of confidence like he’d be good in a crisis. Smooth skin on his cheeks. Bright, inquisitive eyes. Broad shoulders visible under the bulky uniform of dark green waterproof overalls and a yellow slicker.

He holds out his hand as I step out. “Careful. Parts of the deck can be slippery when it’s this wet.”

Electricity flies between our fingers, and I pull away as if he poses a threat. I don’t want to feel desire. Intimacy is dangerous. But what does it mean that I’m looking at men again?

He gives me an odd look. “We’ll be underway in a few minutes.” He walks back to the ramp, where two men unload a battered white cargo van. The three of them quickly stack boxes to one side, lashing them in place. No doubt provisions for an island that’s home to five hundred hearty souls—and me. At least for the time it takes to complete the finish carpentry in one enormous house.

I’d once been a very good carpenter. Before my life exploded into hospitals and medical visits, overwhelming helplessness and all the endless paperwork connected to dying. Since then, I’ve done a poor job of putting myself back together. The rough pieces of grownup life refusing to fit a new pattern now that I’m alone.

My mentor Bill Thomlinson had started this project less than a week ago but fell and broke his leg in multiple places. After he came through the surgery, metal pins in place, he convinced the homeowner to take a chance on me.

“You need this,” he said to me over the phone, his voice surprisingly strong for someone coming out of anesthesia. “I’m done watching you flail. This job can save you. Don’t let me down.”

Now I stand on the deck of a private ferry while the engines roar out a steady vibration under my feet, and wonder if I’ve made a terrible, terrible mistake.

Crossing to the rail, I pin my eyes where the horizon must lie out beyond the mist. Clouds above and waves below. Indistinguishable from each other because of the heavy air, thick like smoke. My stomach lurches at the thought of everything that swims underneath my feet and the unknown depth of the sea.

Breathe in . . . breathe out . . . focus on the future. Focus on the work.

All I know about the job ahead of me is that the original carpenter vanished, forcing the owner, Cameron Lang, to bring in someone else, but then Bill ended up with pins in his leg. Given that I haven’t slept in so long that I shouldn’t be trusted with power tools, I hope that whatever the curse is, it doesn’t come in threes.

When I feel like I’m losing my mind, it helps to ground myself with something physical, so I grip the hard, cold rail in my hands. No matter how much ending my life is a viable choice, some small part of me refuses to let death win again.

The fog brightens, and we cross a physical line in space, plunging into a blue so pure it hurts my eyes. I gasp and grip even tighter as the sky separates from the water, which now spreads out below me in an endless black void.

“Not quite got your sea legs?” The first mate watches me with barely disguised curiosity.

Salt spray traces tears down my cheeks. I must look like I’m crying. “I didn’t expect to come out of the fog so abruptly.”

“It does that sometimes. Now you see it, now you don’t. No matter how often we sail through a bank, it always feels like magic.”

“I can imagine.”

He lingers nearby. Maybe there’s little to do once the ferry is underway. Although small talk is beyond my ability, part of me longs to hear his voice again, even if I say things that sound insane.

The temperature drops as we head further out to sea.

We’re soon dodging between uninhabited land masses. “Some of these islands are so low they disappear in high tide.” He gestures to the slopes of land. Rocky outcroppings just under the surface. Dangerous, like unexploded mines in the sand.

Panic rises. The water below us taunts me—my troubles will be over if I simply fall into a watery grave. The voice becomes louder and more insistent that I should do something I can’t take back. To keep my mind off the words in my head, my eyes search for the defiant piece of US rock thrusting out of Canadian waters. If I can make it back to dry land, I can get through another day.

“That’s what you’re looking for.” The first mate’s breath tickles my ear as he comes closer, speaking over the hum of the engines, the slap of water on the hull, and the cry of seagulls. My gaze follows his arm to the far-off outline of Salish Island, where Monk’s Rock perches off the northern-most end, tethered to each other by the narrowest of bridges.

“Take this.” He presses a business card into my hand. “Just in case.” Under his name is a single word, handyman, and a phone number.

“Adrian Han?” I look up, his eyes capturing mine. “I thought you were the first mate.”

“I’m a lot of things.” His words are casual, but something reflects in his expression, an emotion I can’t put my finger on.

“You might realize at some point there’s a project you need help with. Nothing against your skills. Everyone needs another set of hands once in a while.”

“I have a helper.”

“Chuck, yeah. I’ve worked with him before.” His tone is carefully neutral.

My new boss made the arrangements for Chuck to help me with anything that requires two people. Am I going to regret his choice?

“How do you know why I’m here?”

Adrian’s carefree expression returns. “Emily Grace Turner. Carpenter. Here to finish the End of the World.”

It’s a jolt that he knows anything about me when I’ve worked so hard to become invisible. He reads me again, and his tone turns reassuring. “It’s a small town—people talk.” He gestures toward the wood rack that fits over my camper shell and the bumper sticker: Proud Member of the Carpenter’s Union. “Plus, your name was on your ferry registration.”

I chuckle for thinking his words are sinister until a darker emotion, one that looks like fear, crosses his face. “That house—” His lips purse as if he holds something back. “Just call if you need help. Anytime.”

The island takes clearer shape, and Adrian returns to the wheelhouse, his absence palpable, as if a physical hole remains in the air after he’s gone.

He’s taken his fear with him, except for the small part he’s left behind with me.

***

Excerpt from The Haunting of Emily Grace by Elena Taylor. Copyright 2025 by Elena Taylor. Reproduced with permission from Elena Taylor. All rights reserved.

TWO

Crescent City Christmas Chaos

Since Eugenia was possibly the last purist on the planet who refused to put up a single strand of Christmas lights before Thanksgiving, the day after turned into an all-hands-on deck day of decorating for the holidays instead of Black Friday. Ricki was grateful to landlady Kitty Kat for hosting her parents, freeing her up to turn Miss Vee’s Vintage Cookbook and Kitchenware into a must-shop holiday destination.

Olivia Felice, Eugenia’s granddaughter—which made her another of Ricki’s newly discovered cousins—blew into the shop through its mullioned glass French doors. Miss Vee’s was located in a lovely room formerly known as the nineteenth century mansion’s “Ladies Parlor.” Pale green damask covered its walls and ornate molding painted white encircled the room. A glistening chandelier dangled from an intricately carved ceiling medallion. The instant Ricki had stepped foot in the parlor it felt like the perfect home for a gift shop dedicated to sharing the culinary past with fans of all things vintage.

“Ugh, I’m so glad to be here and out of the school library. Can I tell you how much I hate finals?” Olivia accompanied the statement with an eye roll and flip of her thick, dirty blonde ponytail. A junior at Tulane majoring in Communication, she’d added a minor in Psychology, motivated by a recent misjudgment of someone’s character that had almost led to her death. She’d transitioned from intern to Ricki’s sole part-time employee and lifetime young friend as well as relative.

“I’m glad you’re here. I could use help decorating this.” Ricki motioned to an artificial Christmas tree that exceeded her petite height by a foot. “I think I’ve bought up food-themed ornaments at every thrift shop in town. I thought we could fill in with smaller kitchenware items like these old measuring spoons.” She held up a set of nesting tin spoons. “Every item on the tree will be for sale, so I’m going with white lights. Colored lights would be too busy.”

“I’m on it.” Olivia reached into one of two big boxes loaded with holiday paraphernalia. She pulled out a long strand of tiny white lights. “And no, I haven’t heard anything from a krewe.”

“I was afraid to ask.”

While Ricki was born in the Big Easy, she’d moved to Los Angeles as a child when Josepha met and married Luis. She was still learning the ways of the quirky city she now called home. Olivia had educated her on the machinations of krewes, the organizations responsible for the city’s elaborate Mardi Gras parades and balls. The krewes chose local young women, mostly debutantes, for their courts. While carnival season didn’t officially kick off until January 6th—Twelfth Night—invitations to join the courts were delivered much earlier via a “court call” paid to the future queen and maids by representatives of the krewe. New Orleans may celebrate the winter holidays in a big way, but to Ricki, the local greeting of “Happy Almost Mardi Gras!” made the city’s priorities clear.

Olivia threaded the lights through the tree’s branches. “I honestly don’t care if I get a court call or not. I might even say no if they ask me to be on one.”

“Liar,” Ricki teased.

A fierce squawking disrupted the conversation. Ricki and Olivia dropped what they were doing to peer outside the shop’s bay window, where they saw Bon Vee’s resident peacocks Gumbo and Jambalaya chasing co-worker Theo Charbonnet—Eugenia’s nephew and yet another cousin to Ricki—across the mansion’s verdant green side yard.

“You OK?” Ricki called to Theo.

“I read somewhere that the Victorians put stuffed peacocks on top of their trees instead of stars or angels,” he called back. “Think about it.”

He disappeared around the corner.

The women left the window and resumed decorating. “Have you noticed Cousin Theo’s been acting more weird than usual?” Olivia asked as she added a second strand of lights to the tree.

“I wouldn’t call it weird,” Ricki said. “More like he’s being squirrelly. Secretive. I think he’s up to something.”

“That’s a scary thought.”

Ricki nodded in agreement. While she and Theo had achieved a rapprochement, she still wasn’t sure she could completely trust him.

“So, your parents are really nice,” Olivia said, providing a change of subject.

“Oh, thanks. They’re the best. I’m so glad you got to meet them.”

“Are you going to do anything special while they’re here? Like, a swamp tour or something?”

Ricki, who was about to hang a ceramic beignet ornament, paused. “Actually . . . since Dad will be busy on the TV shoot, I thought Mom and I could work together and dig up clues about my bio mom.”

Ricki had been abandoned as an infant New Orleans’ infamous Charity Hospital, her teen mother disappearing after giving birth. She thanked the universe for Josepha, a NICU nurse who fell in love with the parentless baby and adopted her, parenting as a single mother until she met and fell in love with Luis, who happened to be in town working on a film.

Ricki adored her parents beyond belief, but questions about her past drove her to seek answers. So far, she’d learned that Genevieve Charbonnet had secretly given birth to a baby who would have been Ricki’s grandparent. Her friend Mordant, who’d added private investigator to a list of occupations that included haunted tour guide and Bon Vee handyman, had tracked down the father of Genevieve’s baby. Sadly, he’d died at the age of twenty-four of a rare heart condition.

Ricki resumed hanging ornaments. “Mordant hasn’t been able to come up with any leads since he discovered my great-grandfather’s grave. And I haven’t come across any new connections on my genealogy sites. I thought I’d drive Mom around to some of the places from when we lived here and see if anything jogs a memory that might be useful.”

“Sounds like a plan. I’m starving.”

Ricki grinned, amused by Olivia’s 180-degree turn to her own needs. “You keep decorating, I’ll get us a snack.”

She left the shop and headed down the mansion’s capacious center hallway. Cookie waved from the beautifully appointed living room, which she was showing off to a group of tourists. Bon Vee was currently low on both tour guides, who were paid part-timers, and docents who volunteered their time, so Cookie and other staff members had been drafted to lead tours.

Ricki gestured to her and Cookie detached from her group. “I’m making a run to the café. You want anything?”

“An iced coffee would be great. It’s on me.” Cookie reached into the phone pocket of her leggings and extracted a twenty. She gave it to Ricki. “Plenty more where this came from,” she said in a low voice. “This group’s a mix of Houston and Dallas-ites, or whatever you call ’em. We just started the tour and they’re already trying to out-tip each other to prove their city is better.”

“Nice.”

“I want to buy Nat the best Christmas present I can, so I need these groups to make it rain.” Cookie rubbed her thumb to her index and middle finger, indicating money. She was dating the neighbor next door to Bon Vee and determined to make him the future Mr. Cookie Yanover. “Any idea what you’re getting Virgil?”

“Not a clue,” Ricki said. “I better get to the café before it closes.”

Ricki continued down the hallway, embarrassed by her obvious change of subject and feeling guilty because she hadn’t even thought about getting Virgil a gift. It’s because our relationship is so new, she told herself, batting back the insecurity that led her to fear she and the handsome, successful chef weren’t destined to go the distance.

*

By the time Olivia reluctantly left a few hours later to continue studying for finals, Miss Vee’s was decorated to the point of kitschy. No shelf was left untouched by thrift shop Santas, nutcrackers, ornaments, and a variety of small artificial trees in materials ranging from silvery mylar to one made of oyster shells wired together as branches. Ricki’s favorites were the items that were Louisiana-themed, like the alligator nutcracker wearing a Santa hat, which claimed a space next to a ceramic ornament of Santa riding an alligator.

“You could put together a whole display of gator items.”

Ricki started, not realizing she had company. She turned to see Josepha. “Mom, hey.” The women hugged.

“I thought your dad might wanna have dinner, but he and Virgil still have a lot to go over. He’s taking a break, though.”

Josepha indicated the bay window. Ricki glanced out of it and saw Luis doing a series of choreographed movements in slow motion. “Dad’s still doing tai chi?”

“Yup. It relaxes him. And Lord knows that man could use some relaxing.” Josepha delivered this in a droll but affectionate tone. “Anyhoo, I thought me and my darlin’ daughter might go out for dinner.”

“A giant yes to that.” A thought occurred to Ricki. “I just want to make one stop on the way.”

Ricki locked up the shop and led her mother to the small staff lot where she parked her Prius. They followed Washington Avenue past lovely historic homes swathed in holiday lights and garlands, eventually reaching Claiborne Avenue, a much less scenic thoroughfare of dollar stores, gas stations, and fast-food restaurants. Ricki made a right on Tulane Avenue, followed by two more right turns that placed them in front of what was once Charity Hospital, rendered uninhabitable after Hurricane Katrina and now on the cusp of a new life as Tulane University’s new downtown medical school. Scaffolding covered the center of the massive twenty-story edifice, but even at the tail end of twilight much of the building’s 1930s structure was still evident and impressive despite years of decay.

Josepha stared out the car window, her expression unreadable. “Why are we here?”

“You haven’t been to New Orleans in so long. I thought maybe seeing Charity again might bring back memories.”

“About your bio mom.”

Ricki nodded. Josepha clasped her hand and held it tight as she continued to stare out the window. She and Luis had been nothing but supportive in Ricki’s quest for answers about her past but Ricki sensed her mother’s pain as she took in the abandoned monolith where she’d once pursued a career she loved.

The two were silent for several minutes. “I wish I could remember something that would help,” Josepha finally said in a husky voice. “All I keep seeing is your tiny body in the NICU and how my heart broke for you and how that turned into burning, all-consuming passion to be your mama.”

“Oooh . . .” Ricki fought back tears. “I’m sorry, Mom. I shouldn’t have brought you here.”

“Nothing to be sorry about, baby girl.” Josepha gave Ricki’s hand another squeeze then released it. “I’m glad to see the old place and know it’s gonna be brought back to do good things in this city. Hey, we’re not too far from Mother’s restaurant here. I could go for one of their oyster po’boys.”

“Let’s do it,” Ricki said, knowing a change of subject when she heard one.

Ricki circled back to Tulane Avenue. As they drove, Josepha cheerfully recalled memories inspired by locations they passed. Ricki noted that none involved Charity or her experiences as a nurse. Ricki mused that perhaps it was too painful for Josepha to recall that time in her life. But another thought loomed larger: Josepha was hiding something.

And what she was hiding was tied to Ricki’s birth.

***

Excerpt from Crescent City Christmas Chaos by Ellen Byron. Copyright 2025 by Ellen Byron. Reproduced with permission from Ellen Byron. All rights reserved.