08 March, 2017

#SpecialFeature :: #GuestPost - Top 10 Behind-the Scene Facts about Ashes



*** Special Feature - March 2017 ***




Book Details:

Genre: Fiction
Published by: The Story Plant
Publication Date: February 21st 2017
Number of Pages: 260


Book Links:
Amazon * Barnes & Noble * Goodreads



Synopsis:

Middle-aged brothers Jason and Tom Prendergast thought they were completely done with each other. Perceived betrayal had burned the bridge between them, tossing them into the icy river of estrangement. But life – and death – has a robust sense of irony, and when they learn that their cruel father has died and made his final request that they travel together across the country to spread his ashes, they have no choice but to spend a long, long car trip in each other's company. It's either that or lose out on the contents of the envelope he's left with his lawyer. The trip will be as gut-wrenching as each expects it to be . . . and revealing in ways neither of them is prepared for.
At turns humorous, biting, poignant, and surprisingly tender, Ashes puts a new spin on family and dysfunction with a story that is at once fresh and timelessly universal.

Top 10 Behind-the Scene Facts about Ashes


1. I worked as a Correction Officer for the better part of the decade. Although Ashes is a work of fiction, the prison scenes are based on actual experiences.
2. My family and I love to visit Salem around Halloween; Tom’s walk through Salem in the book is the exact walk my wife and I work several years ago.
3. Stuart Prendergast (the ashes in the box) is the darkest villain that I’ve written to date.
4. My publisher, Lou Aronica, picked the cover and I knew just as soon as I saw it that it was perfect for the story.
5. I have a friend, Paul, who was traveling on business through Pennsylvania. He was reading an advanced copy of the book is the very motel that the main character was staying (eerie cool).
6. After it was storyboarded, this book took me five months to write.
7. My friend and renowned artist, Brian Fox, contributed to this novel; we met once a week for nearly three months before he unveiled his amazing contribution.
8. The “big reveal” toward the end of the book wasn’t written in until the third draft.
9. Great thought—and discussion—went into some of the graphic language in the story. I’ve prided myself on no unnecessary sex or profanity within my novel. In order for the character to seem real, some gritty language was necessary. 
10. If I can’t laugh or cry while I’m writing, I could never expect my readers to do the same.


Author Bio:

Steven Manchester is the author of the #1 bestsellers Twelve Months, The Rockin’ Chair, Pressed Pennies, and Gooseberry Island as well as the novels Goodnight, Brian and The Changing Season. His work has appeared on NBC’s Today Show, CBS’s The Early Show, CNN’s American Morning, and BET’s Nightly News. Recently, three of Manchester’s short stories were selected “101 Best” for the Chicken Soup for the Soul series.


Find Steven on his Website, on Twitter, & on Facebook!

Giveaway:
Don't Miss Your Chance to WIN Ashes! 2 lucky winners will be chosen to receive eBooks of Ashes

a Rafflecopter giveaway

07 March, 2017

#BookReview :: Carve the Mark (Carve the Mark #1) by Veronica Roth

In a galaxy powered by the current, everyone has a gift.

Cyra is the sister of the brutal tyrant who rules the Shotet people. Cyra’s currentgift gives her pain and power — something her brother exploits, using her to torture his enemies. But Cyra is much more than just a blade in her brother’s hand: she is resilient, quick on her feet, and smarter than he knows.

Akos is the son of a farmer and an oracle from the frozen nation-planet of Thuvhe. Protected by his unusual currentgift, Akos is generous in spirit, and his loyalty to his family is limitless. Once Akos and his brother are captured by enemy Shotet soldiers, Akos is desperate to get this brother out alive — no matter what the cost.
The Akos is thrust into Cyra's world, and the enmity between their countries and families seems insurmountable. Will they help each other to survive, or will they destroy one another?

Goodreads I Amazon


I quite enjoyed the Divergent series by Veronica Roth and so it was no brainer that I would pick this book up.

Carve the Mark follows the story of Cyra, a Shotet girl and Akos, a Thuvhe boy. Cyra has the power to pour pain into the people she touches and as such she is a potent weapon wielded by her ruler brother, Ryzek. Akos has his special gist because of which he is apprehended and brought to ease the pain Cyra's gift cause her. As their paths cross and these two so different people are brought together, we see some chemistry going on. But are they enemies or are they friends?

I must say that I am quite disappointed on many levels. First the world building felt really disjointed. The pace of the book is quite slow in order to build up the world for the duology, but still some things just do not add up evenly. I expected more world building in this book given that this is going to be a duology. But it just did not happen. Secondly, there is the element of self-harm woven into the story through Cyra that really had me on the edge. I feel that the treatment of this element should have received more care and attention. On a better note, I really liked the character of Akos. He pulls the story through; the things he has seen and the people he has lost, yet he remains so pure. His relationship with Cyra was also another bright point of the book as it built up slowly.

I really must warn that there is the element of self-harm in the book and thus it is not for everyone.




06 March, 2017

#BookReview :: The Keeper (Vega Jane #2) by David Baldacci

Vega Jane was always told no one could leave the town of Wormwood. She was told there was nothing outside but the Quag, a wilderness filled with danger and death. And she believed it - until the night she stumbled across a secret that proved that everything she knew was a lie.

Now just one thing stands between Vega Jane and freedom - the Quag. In order to leave Wormwood and discover the truth about her world, Vega and her best friend Delph must find a way to make it across a terrifying land of bloodthirsty creatures and sinister magic. But the Quag is worse than Vega Jane's darkest imagining. It's a living, breathing prison designed to keep enemies out and the villagers of Wormwood in.

The Quag will throw everything at Vega Jane. It will try to break her. It will try to kill her. And survival might come at a price not even Vega Jane is willing to pay.



The Keeper takes off with Vega and Delph stumbling through the Quag in order to discover the magical world that lays beyond Wormwood and the Quag. Vega’s life in Wormwood only tells of the tale that anyone who ventures into the Quag meets a horrible death. But after discovering a certain truth, Vega starts to question everything she has been taught throughout her life. The question is though whether Vega Jane and Delph are ready to handle what the Quag throws at them?

The Quag presents an interesting setting. It feels like a living-breathing entity that can make life very difficult for anyone who enters it. There are several beasts that Vega and Delph face off with. To further complicate things, there is someone who is trying to raise an army in order to destroy Wormwood. 

Needless to say, that there is a ton of action in this book to keep a reader going. However, there are times when I wondered if the plot was progressing at all because despite all the action, the pace of the story seemed to be lagging. It felt like a whole lot of hullabaloo for nothing. What does work in the book is the character developments. Both Vega and Delphi makes huge progress from the juveniles that they were in the first book. The things they see and must survive really makes them grow leaps and bounds. 

In general, I did like the turn the story takes in this book. It makes me wonder about what else the author has up his sleeve for us in the next book. The drama and the action keeps the book going and the author’s crisp narrative makes up for the few places where the pace lags. 

I would recommend this series to people who like a mix of fantasy and dystopia. 




05 March, 2017

#Spotlight :: All That Glitters by Liza Treviño

~ All That Glitters by Liza Treviño ~
Book Tour - 1st to 10th March


Book Details:

Title: All That Glitters - A Tale of Sex, Drugs and Hollywood Dreams
Author: Liza Treviño
Genre: Women’s Contemporary Fiction
Publisher: Koehler Books 
Published Date: March 1, 2017
Language: English
ISBN-10: 1633933083
ISBN-13: 978-1633933088



Book Links:




Synopsis:
Alexandria Moreno—clever, sexy, ambitious and, at times, self-destructive. She blazes a path from Texas to Los Angeles at the dawn of the 1980s to make her dreams of becoming an A-list Hollywood film director come true. She and her best friend arrive in Los Angeles with little more than hope and the determination to make it big. Alex, a beauty as dark and mysterious as her scarred heart, stands at the bottom of the Hollywood mountain looking up, fighting for her chance to climb to the top. Will her quest to live fast and take no prisoners on her way to success destroy her in the end?

All That Glitters is a women’s fiction Jackie Collins-type saga that introduces a strong, driven Latina heroine at the center of a rags-to-riches story spanning a decade of action. Along the way, Alexandria walks the fine line separating ambition and self-destruction, and discovers that some sacrifices will cost her everything.


What early readers are saying:

"Treviño tells her story with wit, intelligence, and an undercurrent of sadness at the plight women face to make a name for themselves as human beings instead of strictly as women. Treviño may have cloaked her ideas in entertaining vignettes and snappy dialogue, but underneath is a bite that stays with you."
— Jonathan Marcantoni, author and publisher of La Casita Grande Press.

"Liza has a way of taking you with her as she tells this very compelling story. She draws readers in with her as she describes scenes and characters with colorful detail and vivid imagination. This story is a testament to it's title: it really glitters!"
—Reesha Goral, author, The Servant Boy

"With distant echoes of Jacqueline Susann’s Valley of the Dolls in the background, Alexandria Moreno, the protagonist of All that Glitters, chases after the allure of Hollywood, all the time substituting pills, booze and sex for genuine happiness. It is only after she reaches success that she has an awakening leading her to realize the emptiness of her aspiration, and finally accepting true love. Kudos to Liza Treviño for giving us this unique image of the New Latina! I urge reading All that Glitters. You won’t regret it."
—Graciela Limón, author

Read an Excerpt:

Los Angeles

Oscar Night, 1990


When did things start going wrong?
Alexandria Moreno gulped another swig of champagne from the bottle. She picked at its broken gold foil. It was the same stuff she used to buy back in the days when spending more than ten dollars on bubbly was an extravagance. Now she sat in the best limo money could buy, inching along the craggy hillside road waiting for her turn to put in an appearance at the first of many scheduled post-Oscar parties. She was obligated to dole out heartfelt hugs and kisses to any of the beautiful people who might want one. Tonight, everyone was going to want a piece of her. She was the girl of the hour.
Until recently, Moreno had been an unknown writer-producer. She rocked Hollywood, winning Academy Awards for Best Director and Original Screenplay for the lushly violent, low-budget film, Win or Lose. Moreno, widely considered a dark horse contestant in the Oscar race, was the first Hispanic woman to be nominated, and win.
Two golden statues for writing and directing lay on the limo’s floor and the vehicle glided to the top of Hollywood’s heights. Beyond the winding canyon road, the Los Angeles electrified grid shimmered like Moreno’s own personal cauldron of gold. She understood that more than just a movie had won tonight.
She had won.
So why doesn’t it feel better?
Why don’t I feel better?
Despite everything she’d done to reach this moment of glory, Alex understood that none of it mattered. Not one bit. No matter what happened to her, she was still alone and drinking the same convenience-store champagne.
“Want some of this blow, babe?” Nick sniffed and dropped his head back with a slight shake, giving the chemicals a little jumpstart in the brain he liked to say.
“No thanks,” she said, “I don’t want to mix tonight.” Alex turned her attention from the scrubby hillside to handsome Nick Sirianni sitting across from her, casually relaxed in his Armani tuxedo. Though he favored stiff Wall Street suits, Nick was always casually relaxed due to the fact that he was worth millions from a Hollywood Midas touch.
Alex heard Leonard Cohen’s gravel-rubbed, breathless voice floating faintly through the air, crooning his patented melancholy love proclamations, and she couldn’t help but let her eyes wander along Nick’s impeccably tailored suit. Her hands absently grazed the familiar bluish-purple marks on her wrists currently hidden under make-up.
Nick’s thin lips curled into a slow, understanding grin. “Fine, but I have some X for later, and I don’t care what you’ve taken already,” he said in a tone Alex had learned not to question. “I’ve got plans for you, babe.”
“I guess it’s gonna be a long night.”
“The longest ever.”
Alex could tell he had taken off. She absently twirled a lock of her black, shoulder-length hair.
“Hey,” Nick nudged her leg with his polished leather dress shoe, “let me see.”
“Not right now.”
“I’m not asking, Alley Cat. Let me see. And do it right.”
Alex locked eyes with him, but she relented.
She found the fold of her straight wraparound skirt of crepe and beading that draped to the floor. She peeled it back and uncrossed her legs beneath the gown, giving Nick a peek-a-boo of her
narrow ankle and high-heeled foot. She loosened her knees, proving to Nick she’d followed his instructions.
Nick looked her over and loosened his collar.
“Good girl,” Nick said and shifted toward her, the leather seat creaking beneath him. He knelt between her legs and softly traced the length of her pale grey stocking from her shoe, along her leg, up to the matching garter, and over her supple brown thigh exposed between the garter and its straps. Nick kissed her just above where the stockings ended. He breathed in deeply and peered up to her.
“I gotta have a taste, baby,” he said and dipped his handsome face between her thighs.
Alex sighed and sank back into her seat.
How did things get so out of control? Isn’t tonight supposed to be everything I’ve worked for? Everything I’ve sacrificed for? Or, what I’ve sacrificed everyone for?
Alex knew she had purposely cut off anyone who had the misfortune of ever giving a damn about her. And there were such people.
It certainly wasn’t Nick. She’d made her deal with this particular devil nearly a year ago. Things between them were comfortably tawdry. Nick owned her. She knew it. He knew it. They had an understanding.
A flicker nudged her: so many things that could have been. She took another swig of champagne, letting the alcohol’s fizz and burn push everything back into the darkness.
Alex registered Nick’s velvet tongue expertly stroking her crevices, and she couldn’t help but give him all the access he wanted. She felt him smile when she dropped her head back and settled deeper into the limo’s bench. The car halted forward and the lazy, swaying sax turned up the tension in Cohen’s sonic plea for love.
Alex peered beyond the cracked sunroof, searching the starless LA sky for some answers. A corner of the tinted sunroof caught her faint reflection and she saw a vacant-eyed, thirty two-year-old wasted stranger. She’d never known herself less than at this moment. Her passion for work was burned out and, even tonight, she couldn’t muster excitement. Now, everything was just a game requiring too much effort.
She shut her eyes tight and sucked in air sharply, breathing in the car’s mixture of broken-in leather and artificial lemon scents. She clasped at Nick’s broad shoulder, wringing the expensive jacket sleeve as if it were nothing more than a cheap cocktail napkin. After a moment, she relaxed.
Nick brushed a sweet kiss on her inner thigh before he returned the thin black crepe material of her skirt to its full length. He slid back to his seat across from her and smoothed his hair back.
“Damn, you taste good, honey.” He wiped his mouth with the back of his hand.
“We’re next in line, ma’am,” the chauffeur’s voice crackled through the intercom. The limo moved into place with a definite stop.
Nick grinned. “It’s show time, Alley Cat.”
The cool night air took Alex by surprise as she waded into the sea of people and flashing cameras. She staggered, unsure she could move.
“One foot in front of the other,” Nick said in his soft voice through her hair. “I’ll get you a drink once we get inside.”
Alex smiled serenely and nodded. She focused on the live band somewhere in the distance belting out a Sinatra standard. Her eyes found the majestic Griffith Observatory looming in the distance, hovering above the white party tents.
Inside, the camera flashes kept coming.
“And here we are,” Nick offered as he swiped a couple of champagne flutes from a roving waiter’s tray. “This should get ya right, babe.”
Alex took the glass automatically. Another bulb flashed near her and she saw blue sprinkles. She regained focus quickly, but then her stomach dropped. Across the room was the last person she wanted to see.

◊◊◊

Jamie Douglas stood out in any crowd. Angular looks punctuated by oceanic blue eyes, a naturally lean athleticism, and down-to-earth boyishness had made him a reigning movie star around the world for almost twenty years. And right now, Alex saw Jamie’s eyes find hers through the crowd. When they caught each other, a flash sparked between them like one of those popping camera bulbs. Jamie’s surprised look gave way to a lopsided grin; it was a look so familiar to her.
Alex registered Nick snake his arm around her thin waist and she broke her gaze from Jamie.
“Okay, Alley Cat, time for our victory lap.”
“Perfect timing,” she said.
Timing—everything always came down to timing. It seemed to her that her timing had always been off. Not crazy off, just that extra millisecond that pushed everything either too early or too late. And now, she understood that it was too late.
Suddenly, she couldn’t bear to go through with the whole charade of tonight. Maybe, she couldn’t even bear to go through with the whole charade of her life any longer. Just leave, a soft voice whispered inside her head. There’s nothing written you have to stick around. It’s practically programmed into your DNA that you’ll be checking out of this world early.
All at once, Alex understood that simple fact. She, Alex Moreno, would leave Los Angeles tonight as anonymously as she had arrived nearly a decade earlier. She knew that wasn’t an entirely accurate account of how she’d started.
Now I’m alone, and that’s just how I knew things would always turn out.


Author Bio:

Liza Treviño hails from Texas, spending many of her formative years on the I-35 corridor of San Antonio, Austin and Dallas.  In pursuit of adventure and a Ph.D., Liza moved to Los Angeles where she compiled a collection of short-term, low-level Hollywood jobs like script girl, producer assistant and production assistant.  Her time as a Hollywood Jane-of-all-trades gave her an insider's view to a world most only see from the outside, providing the inspiration for creating a new breed of Latina heroine.




Catch Up with Liza Treviño on her Website

04 March, 2017

#GuestPost :: An Inside Look at Loving a Wild Stranger by Kelli A. Wilkins

An Inside Look at Loving a Wild Stranger
By Kelli A. Wilkins
  www.amazon.com/author/kelliwilkins


Hi everyone, 

Today I’m sharing an inside look and an excerpt from my latest historical romance, Loving a Wild Stranger. This full-length pioneer-wilderness romance is set in the Michigan Territory and blends adventure with a sensual love story.

Here’s the summary:
Loving a Wild Stranger 

A woman running from her past… straight into the arms of an untamed man

In a moment of desperation, Kathleen Stanton flees her pampered life in Kingston, New York and ends up stranded in a small town in the Michigan Territory. Out of money and forced to rely on her instincts, she impersonates a handsome stranger’s mail-order bride. 

Committed to her deception, Kathleen calls herself Michelle and starts her new life with Luther in an isolated cabin in the wilderness. Luther can’t believe his luck when his beautiful bride arrives, but something doesn’t feel right about his new wife. Michelle has terrifying nightmares involving a man named Roger and is reluctant to talk about where she came from. 

Luther’s friend, Redfeather visits and tries to convince Luther to send Michelle back east. Distrusting Michelle, he warns Luther that his bride is not what she seems. But Luther is in love with Michelle, and he is harboring a secret of his own—one that might force Michelle to reject him when she learns the truth.

Michelle falls in love with Luther and adapts to her new way of life. Together, they face off against brutal townspeople and overcome harsh living conditions. When they finally give in to their desires and agree to become a proper man and wife, a dark figure from Michelle’s past resurfaces and threatens to destroy everything. 

***

The idea for this book started with a simple premise: a woman on the run impersonates a mountain man’s mail-order bride and lives in his cabin in the woods. From there, I thought about the characters and how they would interact, learn to live with each other, and naturally, fall in love. 

But before I started writing, I went to the library and did a lot of research. First, I had to decide on the time period. When and where I set my story would determine all the necessary details that bring the characters to life—and also influence the plot.

Once the time period was finalized, I needed to learn about mail-order brides, fur trapping and trading, Native Americans, and get an overall feel for what life was like back then. As I wrote the book, I incorporated my research as background information. This gives the story a rich historical feel without going overboard with details that might bog down the book or bore readers.

I enjoyed creating the characters and all the conflicts that take place between them. Michelle and Luther are very different people—sort of like a city mouse and a country mouse—and I played on their differences in lifestyles, clothing, expectations, etc. throughout the book. When Luther’s friend Redfeather arrives, Michelle realizes how far she is out of her comfort zone and begins to see her situation (and Luther) in a new light.

As Luther and Michelle get to know each other (and fight for each other) they realize they have a lot more in common than they once thought. They both had to fend for themselves to survive in a rough world, with little or no family support. This brings them closer together and makes their love stronger.

I enjoyed writing this book, and I hope readers will fall in love with the characters the way I did.


An Excerpt:

Kathleen’s knees shook as she strode down the sidewalk toward the livery. She had to get out of the store before there was trouble. She felt sorry for that man, Luther. He’d seemed nice enough when he gave her back her glove. 
The coach waited near the livery, and her trunks still sat on the sidewalk. She had some time left. What should she do? She didn’t dare get back on the coach, but this town was awful and she didn’t want to stay here. Perhaps she could throw herself on the mercy of the church. There had to be one somewhere and the reverend would take her in. Or would he? 
Kathleen crossed the street and entered the livery. A round-faced man slouching behind the counter straightened up. 
“You must be from the stage,” he said, gazing at the front of her dress. 
She folded her arms across her bosom and looked him square in the eye. “How did you know?” she asked, her voice dripping with sarcasm. 
“Because I’ve been with all the women in town and you ain’t one of ’em. You Clyde’s new girl? I’d pay two dollars for a night with you.” He winked. 
“How dare you! I’m looking for the church.” 
The man spit a stream of tobacco juice on the floor next to her brown boots. “We ain’t got a church. If you ain’t the new whore, then what are you doin’ here?” 
She spotted the newspaper the man had open on the counter in front of him. An advertisement for wedding lace gave her an idea. “I’m a mail-order bride.” 
“That so?” He scowled. “Who’s the lucky man?” 
Kathleen twisted her skirts and tried to stall for time. “There’s a problem with the papers you see…” 
She glanced out the window. The driver stood near the coach, scratching his head. A second later, she heard the familiar clomp of boots on the sidewalk. This was her one chance. It had to work. She had always trusted her instincts, and now she could only think of one answer. Her gut told her to take the risk. “Luther’s his name and—” 
“Luther?” The liveryman’s eyes widened. “Well, you’re in the right place.” He arched an eyebrow. “You sure it’s Luther?” 
She nodded as the coach pulled away. All hope of escape left town in a swirl of dust. Her trunks lay abandoned on the sidewalk. There was no going back now. This man thought she was a mail-order bride. She tried to remember what she’d read about them. It sounded simple, a man sent money to a company and they sent a wife. 
She tensed as the livery door opened. 
“Hey, Karl. I pulled the wagon—” Luther stopped as he spotted her. 
She averted her gaze and smoothed her skirts, suddenly ashamed of her appearance. What man would accept her unwashed and dusty? 
The liveryman laughed. “Hell, Luther, looks like ya got more than you thought goin’ home with ya.” 
“What’s that mean?” 
Kathleen closed her eyes. What had she done? This wasn’t a game anymore. 
“Seems your wife came special delivery on the coach.” 
“My what?” 
She heard the surprise in Luther’s voice. What if he hadn’t sent away for a bride like the men in the store had said? She had to think of a story, now. Luther’s boots clomped across the floor and stopped in front of her. When he cleared his throat, she opened her eyes. 
Luther stood two feet away, holding his hat in his hands. His head was cocked to one side. “He foolin’? This a trick they paid ya for?” 
“No,” she whispered. “No trick.” 
As Luther’s shoulders relaxed, his face softened. 
Kathleen clenched her hands behind her back, took a deep breath, and started her story. “I had paperwork for you to fill out, but there was a problem on the stage and some luggage got left behind, so there’s nothing for you to sign.” Her voice wavered, and she coughed lightly. “I sent the mail order place a wire. They said they’d send the papers as soon as they can, so…” 
“That’s fine, ma’am.” He smiled. “My name is Luther Dubois, and you don’t know how long I’ve been waitin’ for you. Come with me. I’ll put the feed on the cart, and we’ll get settled.” Luther lifted a bulky sack from the floor and walked to the door, obviously expecting her to follow. 
She hurried after Luther. A chestnut-colored horse and a wooden cart waited outside the livery. Luther headed to the cart with the sack slung over his shoulder like a dead body. He half-turned to her. “He give you any trouble?” 
“Who?” 
“Man inside, Karl. The men in this town ain’t known for their manners, especially when it comes to women.” Luther dropped the sack into the wagon. 
“My trunks are over there.” 
“I’ll fetch ’em. But I’m afraid I ain’t got room for you in back with all the supplies. You’ll ride behind me.” 
She watched as Luther carried her trunks to the cart and tucked them in next to sacks of flour, grain, and other supplies. 
“You ready, Miss…” 
All of a sudden she realized that Luther had never asked her name. “Evans, I’m Michelle Evans,” she answered. After months on the run, she was smart enough never to give her real name. 
“Me-chelle, that’s French.” Luther smiled. “Miss Me-chelle, we’ll be on our way.” He mounted the horse and reached down to her. “Give me your hand and swing your leg over.” 
Kathleen bit her bottom lip, unsure. If she did this, there was no turning back. 
“Now don’t tell me you ain’t never rode a horse before,” Luther joked. 
Kathleen placed her hand in Luther’s palm and he hoisted her onto the horse. She sat behind him and adjusted her skirts. Where were the saddle and stirrups? Luther rode only with a blanket and reins. 
“Wrap your arms around my middle and hold on. We’ll get home before dark.” 
Home? She clutched Luther as the horse lurched forward, willing herself to stay strong. If she started to cry now, she’d never stop. What in heaven’s name had she done? 


Order your copy of here:

I hope you enjoyed this inside look at the making of Loving a Wild Stranger. I welcome comments and questions from readers. Be sure to follow my blog for the latest updates and visit me on social media!

Happy Reading,
Kelli A. Wilkins


About the Author:
Kelli A. Wilkins is an award-winning author who has published more than 100 short stories, 19 romance novels, and 5 non-fiction books. Her romances span many genres and heat levels. 
"Loving a Wild Stranger" was released in January 2017. This historical/pioneer romance is set in the wilds of the Michigan Territory and blends tender romance with adventure.
Kelli's third Medallion Press romance, "Lies, Love & Redemption" was released in September 2016. This spicy historical western is set on the Nebraska prairie in 1877.
In 2016 Kelli began re-releasing her romances previously published by Amber Quill Press. Visit her website and blog for a full title list, book summaries, and other information.
Her writing book, "You Can Write—Really! A Beginner’s Guide to Writing Fiction" is a fun and informative non-fiction guide based on her years of experience as a writer. It’s filled with writing exercises and helpful tips all authors can use.
If you like to be scared, check out Kelli’s horror ebooks: "Dead Til Dawn" and "Kropsy’s Curse".

Kelli posts on her Facebook Author Page and Twitter. She also writes a weekly Blog
Visit her Website to learn more about all of her writings, read book excerpts, reviews, and more. Readers can sign up for her newsletter HERE.

Catch Up with Kelli:


03 March, 2017

#Spotlight :: Cat in the Flock by Lisa Brunette

Cat in the Flock by Lisa Brunette Tour banner

Cat in the Flock by Lisa Brunette

on Tour March 1-30, 2017

Synopsis:

Cat in the Flock by Lisa Brunette

A sexy murder-mystery with a spiritual edge.
For most people, dreams are a way to escape reality. But for Cat McCormick, they're a way to get closer to the truth. Cat can 'slip' into other people's dreams.
After graduating college with a degree in criminal justice but little in the way of real-life experience, Cat moves from the Midwest to Seattle to apprentice with her Granny Grace, who shares the ability. Granny uses dreamslipping as a private investigator, and Cat plans to follow in her footsteps.
But forced to take work as a security guard, Cat discovers a mother and daughter on the run. Following the clues, she goes undercover in a Midwestern megachurch, where she finds redemption and goodwill amidst repression, hypocrisy, and murder.



Praise:

"A fascinating tale of mystery, romance, and what one woman's dreams are made of. Brunette will keep you awake far into the night.” -- Mary Daheim, bestselling author of the Bed-and-Breakfast and Emma Lord/Alpine mysteries

"Already hooked, this reader intends further sojourns in Cat's dreamslipping world. Highly recommended." -- Frances Carden, Readers Lane

"Gripping, sexy and profound, CAT IN THE FLOCK is an excellent first novel. Lisa Brunette is an author to enjoy now and watch for the future.” -- Jon Talton, author of the David Mapstone Mysteries, the Cincinnati Casebooks and the thriller Deadline Man

"A little Sue Grafton and a dose of Janet Evanovich… is just the right recipe for a promising new series.” -- Rev. Eric O'del

"The launch of an intriguing female detective series... A mystery with an unusual twist and quirky settings; an enjoyable surprise for fans of the genre." -- Kirkus Reviews

Book Details:

Genre: Mystery
Published by: Sky Harbor Press
Publication Date: December 27th 2014
Number of Pages: 197
ISBN: 0986237701 (ISBN13: 9780986237706)
Series: Dreamslippers #1
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

Prologue

Sherrie marched into her daughter’s bedroom and dragged a child-sized roller bag suitcase out of the closet. The girl stood in the middle of the room, still in her pajamas. Milk from breakfast had dried around the edges of her lips.
“Ruthie,” the mother said. “I need you to get dressed. We’re going to take a…trip.” Sherrie tried to make her voice sound cheery, but the desperation she felt came through in her tone.
“What’s wrong, Mommy?”
Sherrie set the suitcase on the bed. The bubble- gum pink had once seemed innocent but now looked fleshy and indecent. She glanced at the clock over the bed. He’d been golfing for a good fifteen minutes by now, long enough for her to make sure he didn’t come back for a favorite club or the right gloves. She wanted to be on that morning flight by the time he got home and discovered them gone.
She flung open the chest of drawers and grabbed all of the girl’s socks and underwear, a pair of corduroy pants, black cotton tights, a sweater the color of a Midwestern sky. Nothing pink. Only warm things. Seattle in her memory was cold and wet. It was a grey city; grey clouds over grey buildings. Even the water was grey.
One doll would fit. Made of cloth, it could be folded in on itself and slid down the backside of the suitcase.
“Can I bring the ballerina skirt?”
Any other day, she would have corrected her daughter, who needed to learn the precise names of things. Tutu. There it was in the closet, hanging because it took up too much room in the drawer. She yanked it free, sending the hanger to the floor. Ordinarily, she would pick that up; her house was so clean it hurt her eyes with its spareness—as if theirs were a showroom house, not lived in. She left the hanger there, aware of the thrill this fraction of disobedience gave her. She shoved everything into the little pink case, but with the fluffy tulle taking up so much space, the zipper would not close. The choice was clear. The doll would be a comfort to Ruthie in Seattle, but the tutu would not.
“We’ll come back for this later,” she said, tossing the tutu onto the bed. The zipper closed, the sound of it satisfying.
“No, Mommy!” Ruthie stomped her foot. “I want it now!”
“Then you’re going to have to wear it. Now get dressed while I pack my clothes.” But she felt a pang of guilt for her reprimanding tone, and for having to leave the tutu. Bending down, she used her thumb to wipe some of the milk crust from her daughter’s face. “I’ll let you wear anything you want on this trip, okay, sweetheart? And clean your face with the cloth in the bathroom, like Mommy showed you.”
The girl nodded, as if sensing this was not the time for a tantrum.
Sherrie’s own packing, she did with even less consideration. Under things, shirts. A fleece hoodie. Warm socks. She remembered she needed layers in Seattle. Sometimes it could seem warm even though it rained and the sun had not come out for weeks. Her keepsakes in their tiny, locked chest would not fit. They were the only things she had to remind herself of her life before this, but she would have to leave them behind.
Sherrie kept watch on the clock and glanced out the window twice to make sure his car wasn’t out front even though she knew he wouldn’t be home for another hour. The sun had risen blood-red over the cornfields in the distance, lighting them as if on fire. She’d miss that. And she thought of thunderstorms, which seemed never to occur in Seattle. She’d miss those, too.
Ruthie appeared in the doorway. Her face was clean, but none of her clothes matched. She was wearing pink high-tops that seemed wrong for the city they were going to, the situation, and everything else, but she had apparently decided not to wear the tutu.
“Time to leave.” She took the girl’s hand, promising to herself she’d never let go.

Author Bio:

Lisa BrunetteLisa was born in Santa Rosa, California, but that was only home for a year. A so-called "military brat," she lived in nine different houses and attended nine different schools by the time she was 14. Through all of the moves, her one constant was books. She read everything, from the entire Nancy Drew and Trixie Belden mystery series to her mother's books by Daphne DuMaurier and Taylor Caldwell.
A widely published author, game writer, and journalist, Lisa has interviewed homeless women, the designer of the Batmobile, and a sex expert, to name just a few colorful characters. This experience, not to mention her own large, quirky family, led her to create some truly memorable characters in her Dreamslippers Series and other works, whether books or games.
Always a vivid dreamer, not to mention a wannabe psychic, Lisa feels perfectly at home slipping into suspects’ dreams, at least in her imagination. Her husband isn’t so sure she can’t pick up his dreams in real life, though.
With a hefty list of awards and publications to her name, Lisa now lives in a small town in Washington State, but who knows how long that will last…

Lisa publishes a bimonthly newsletter. Sign up and receive a free book!

You can also visit Lisa on her Website, on Twitter, & at Facebook.

March 2017 Tour Participants:

Don't miss these great stops on the Cat in the Flock tour!

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02 March, 2017

#Spotlight :: Pistols and Petticoats by Erika Janik


175 Years of Lady Detectives in Fact and Fiction

March 2nd 2017 Book Blast

Synopsis:

Pistols and Petticoats by Erika Janik

A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years

In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice.
Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers.
Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success.
Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.

Book Details:

Genre: Mystery, NonFiction, History
Published by: Beacon Press
Publication Date: February 28th 2017 (1st Published April 26th 2016)
Number of Pages: 248
ISBN: 0807039381 (ISBN13: 9780807039380)
Purchase Links: Amazon | Barnes & Noble | Goodreads

Read an Excerpt:


With high heels clicking across the hardwood floors, the diminutive woman from Chicago strode into the headquarters of the New York City police. It was 1922. Few respectable women would enter such a place alone, let alone one wearing a fashionable Paris gown, a feathered hat atop her brown bob, glistening pearls, and lace stockings.
But Alice Clement was no ordinary woman.
Unaware of—or simply not caring about—the commotion her presence caused, Clement walked straight into the office of Commissioner Carleton Simon and announced, “I’ve come to take Stella Myers back to Chicago.”
The commissioner gasped, “She’s desperate!”
Stella Myers was no ordinary crook. The dark-haired thief had outwitted policemen and eluded capture in several states.
Unfazed by Simon’s shocked expression, the well-dressed woman withdrew a set of handcuffs, ankle bracelets, and a “wicked looking gun” from her handbag.
“I’ve come prepared.”
Holding up her handcuffs, Clement stated calmly, “These go on her and we don’t sleep until I’ve locked her up in Chicago.” True to her word, Clement delivered Myers to her Chicago cell.
Alice Clement was hailed as Chicago’s “female Sherlock Holmes,” known for her skills in detection as well as for clearing the city of fortune-tellers, capturing shoplifters, foiling pickpockets, and rescuing girls from the clutches of prostitution. Her uncanny ability to remember faces and her flair for masquerade—“a different disguise every day”—allowed her to rack up one thousand arrests in a single year. She was bold and sassy, unafraid to take on any masher, con artist, or scalawag from the city’s underworld.
Her headline-grabbing arrests and head-turning wardrobe made Clement seem like a character straight from Central Casting. But Alice Clement was not only real; she was also a detective sergeant first grade of the Chicago Police Department.
Clement entered the police force in 1913, riding the wave of media sensation that greeted the hiring of ten policewomen in Chicago. Born in Milwaukee to German immigrant parents in 1878, Clement was unafraid to stand up for herself. She advocated for women’s rights and the repeal of Prohibition. She sued her first husband, Leonard Clement, for divorce on the grounds of desertion and intemperance at a time when women rarely initiated—or won—such dissolutions. Four years later, she married barber Albert L. Faubel in a secret ceremony performed by a female pastor.
It’s not clear why the then thirty-five-year-old, five-foot-three Clement decided to join the force, but she relished the job. She made dramatic arrests—made all the more so by her flamboyant dress— and became the darling of reporters seeking sensational tales of corruption and vice for the morning papers. Dark-haired and attractive, Clement seemed to confound reporters, who couldn’t believe she was old enough to have a daughter much less, a few years later, a granddaughter. “Grandmother Good Detective” read one headline.
She burnished her reputation in a high-profile crusade to root out fortune-tellers preying on the naive. Donning a different disguise every day, Clement had her fortune told more than five hundred times as she gathered evidence to shut down the trade. “Hats are the most important,” she explained, describing her method. “Large and small, light and dark and of vivid hue, floppy brimmed and tailored, there is nothing that alters a woman’s appearance more than a change in headgear.”
Clement also had no truck with flirts. When a man attempted to seduce her at a movie theater, she threatened to arrest him. He thought she was joking and continued his flirtations, but hers was no idle threat. Clement pulled out her blackjack and clubbed him over the head before yanking him out of the theater and dragging him down the street to the station house. When he appeared in court a few days later, the man confessed that he had been cured of flirting. Not every case went Clement’s way, though. The jury acquitted the man, winning the applause of the judge who was no great fan of Clement or her theatrics.
One person who did manage to outwit Clement was her own daughter, Ruth. Preventing hasty marriages fell under Clement’s duties, and she tracked down lovelorn young couples before they could reach the minister. The Chicago Daily Tribune called her the “Nemesis of elopers” for her success and familiarity with everyone involved in the business of matrimony in Chicago. None of this deterred twenty-year-old Ruth Clement, however, who hoped to marry Navy man Charles C. Marrow, even though her mother insisted they couldn’t be married until Marrow finished his time in service in Florida. Ruth did not want to wait, and when Marrow came to visit, the two tied the knot at a minister’s home without telling Clement. When Clement discovered a Mr. and Mrs. Charles C. Marrow registered at the Chicago hotel supposedly housing Marrow alone, she was furious and threatened to arrest her new son-in-law for flouting her wishes. Her anger cooled, however, and Clement soon welcomed the newlyweds into her home.
Between arrests and undercover operations, Clement wrote, produced, and starred in a movie called Dregs of the City, in 1920. She hoped her movie would “deliver a moral message to the world” and “warn young girls of the pitfalls of a great city.” In the film, Clement portrayed herself as a master detective charged with finding a young rural girl who, at the urging of a Chicago huckster, had fled the farm for the city lights and gotten lost in “one of the more unhallowed of the south side cabarets.” The girl’s father came to Clement anegged her to rescue his innocent daughter from the “dregs” of the film’s title. Clement wasn’t the only officer-turned-actor in the film. Chicago police chiefs James L. Mooney and John J. Garrity also had starring roles. Together, the threesome battered “down doors with axes and interrupt[ed] the cogitations of countless devotees of hashish, bhang and opium.” The Chicago Daily Tribune praised Garrity’s acting and his onscreen uniform for its “faultless cut.”
The film created a sensation, particularly after Chicago’s movie censor board, which fell under the oversight of the police department, condemned the movie as immoral. “The picture shall never be shown in Chicago. It’s not even interesting,” read the ruling. “Many of the actors are hams and it doesn’t get anywhere.” Despite several appeals, Clement was unable to convince the censors to allow Dregs of the City to be shown within city limits. She remained undeterred by the decision. “They think they’ve given me a black eye, but they haven’t. I’ll show it anyway,” she declared as she left the hearing, tossing the bouquet of roses she’d been given against the window.
When the cruise ship Eastland rolled over in the Chicago River on July 24, 1915, Clement splashed into the water to assist in the rescue of the pleasure boaters, presumably, given her record, wearing heels and a designer gown. More than eight hundred people would die that day, the greatest maritime disaster in Great Lakes history. For her services in the Eastland disaster, Clement received a gold “coroner’s star” from the Cook County coroner in a quiet ceremony in January of 1916.
Clement’s exploits and personality certainly drew attention, but any woman would: a female crime fighter made for good copy and eye-catching photos. Unaccustomed to seeing women wielding any kind of authority, the public found female officers an entertaining—and sometimes ridiculous—curiosity.


Excerpt from Pistols and Petticoats: 175 Years of Lady Detectives in Fact and Fiction by Erika Janik. Copyright © 2016 & 2017 by Beacon Press. Reproduced with permission from Beacon Press. All rights reserved.

Readers Are Loving Pistols and Petticoats!

Check out this awesome article in Time Magazine!

“Erika Janik does a fine job tracing the history of women in police work while at the same time describing the role of females in crime fiction. The outcome, with a memorable gallery of characters, is a rich look at the ways in which fact and fiction overlap, reflecting the society surrounding them. A treat for fans of the mystery—and who isn’t?” ~ Katherine Hall Page, Agatha Award–winning author of The Body in the Belfry and The Body in the Snowdrift

“A fascinating mix of the history of early policewomen and their role in crime fiction—positions that were then, and, to some extent even now, in conflict with societal expectations.” ~ Library Journal

“An entertaining history of women’s daring, defiant life choices.” ~ Kirkus Reviews

Author Bio:

authorErika Janik is an award-winning writer, historian, and the executive producer of Wisconsin Life on Wisconsin Public Radio. She’s the author of five previous books, including Marketplace of the Marvelous: The Strange Origins of Modern Medicine. She lives in Madison, Wisconsin.

Catch Up With Our Ms. Janik On: Website, Goodreads, Wisconsin Public Radio, & Twitter!

 

Tour Participants:

 

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01 March, 2017

#SpecialFeature :: #GuestPost - Being a Storyteller by Steven Manchester, #Author of Ashes

Under "Special Feature" every month I feature a Special Author. 
During this month I put up 5 posts about the Author/Book, including Interview / Review / Excerpt / Guest Post / Author Bio / Fun Facts or whatever else we can come up with. Also on the first day of the month we will  launch the Giveaway contest along with the first post and will announce the winner on the last day of the month.
So be sure to check out my blog every 1st, 8th, 15th, 22nd and 29th of every month for something new :)

*** Special Feature - March 2017 ***





Book Details:

Genre: Fiction
Published by: The Story Plant
Publication Date: February 21st 2017
Number of Pages: 260


Book Links:
Amazon * Barnes & Noble * Goodreads



Synopsis:

Middle-aged brothers Jason and Tom Prendergast thought they were completely done with each other. Perceived betrayal had burned the bridge between them, tossing them into the icy river of estrangement. But life – and death – has a robust sense of irony, and when they learn that their cruel father has died and made his final request that they travel together across the country to spread his ashes, they have no choice but to spend a long, long car trip in each other's company. It's either that or lose out on the contents of the envelope he's left with his lawyer. The trip will be as gut-wrenching as each expects it to be . . . and revealing in ways neither of them is prepared for.
At turns humorous, biting, poignant, and surprisingly tender, Ashes puts a new spin on family and dysfunction with a story that is at once fresh and timelessly universal.


Being a  Storyteller

When I was young, my grandfather was an amazing storyteller. Although he never put pen to paper, I was awed by the power of words—to make people laugh or even cry. I knew then that I wanted to be a storyteller too.

I’d just returned home from Operation Desert Storm, and was working as a prison investigator in Massachusetts. Needless to say, there was great negativity in my life at that time. I decided to return to college to finish my degree in Criminal Justice. During one of the classes, the professor talked about police work but nothing else. I finally raised my hand and asked, “The criminal justice system is vast. What about the courts, probation, parole – corrections?” He smiled and told me to see him after class. I thought I’d done it! In his office, he explained, “There’s no written material out there on corrections or prisons, except from the slanted perspective of inmates.” He smiled again and dropped the bomb. “If you’re so smart,” he said, “why don’t you write it?” Nine months later, I dropped the first draft of 6-5; A Different Shade of Blue on his desk. From then on, I was hooked. I was a writer.

Today—two decades later—I’ve written multiple books (with four of them as #1 national bestsellers). My newest novel, Ashes, is currently being released. In this novel, two brothers—estranged for fifteen years—are brought together under circumstances that neither can avoid. By trapping them in a car for several long days, I was able to play out some deep, dark emotions that quickly rise to the surface. The outcome proves to be biting and comical exchange that the reader can experience as if they’re sitting right there in the backseat with the box of ashes. Although there are several twists and turns along the way, the goal was to keep the journey real and relatable—proving that every family has its fair share of dysfunction, as well as unbreakable bonds.

A brief glimpse:
It all began as a thrill-seeking joke, Tom and Jason, along with Mike, their half-witted friend, roaming the cemeteries at night in search of the living dead. The Burying Point was the creepiest cemetery in the city and, as such, reputed some legendary stories of multiple ghost sightings. There couldn’t have been a more perfect night for a spine-tingling scare.
Strolling through the fields of granite, young Tom fumbled with his tracing paper and charcoal stick, stopping at every other headstone to get the perfect imprint. Most of the stones were cracked and faded; badly decayed from the decades of harsh rains and battering winds. There were others, however, that had endured terrible desecration, having either been defaced or toppled during senseless acts of vandalism. The graveyard was split into two sections. The old section was located at the front of the grounds, with the recently departed planted toward the rear. For a while, the boys lingered in the front. It promised more goose flesh.
“Get off my land,” an angry voice hissed in the distance.
Tom leapt to his feet and dropped his artwork all over the black ground. “Stop it,” he yelled at Jason. “You almost gave me a heart attack!”
Jason’s mouth hung open, but he said nothing.
Turning his suspicions toward Mike, Tom discovered that his friend’s eyes were as big as moon pies. Mike was obviously using them to scan the area and he was no longer laughing. Every hair on Tom’s body turned to spikes.
“Don’t make me come out there,” the disembodied voice called again. This time it was closer and much meaner.
Mike screamed. Tom tried to match it, but couldn’t. All three boys were paralyzed with fear.
Suddenly, the invisible entity let out a shrieking laugh.
Fighting through the freezing numbness of shock, Tom took off at a sprint. Looking back, he saw Jason grabbing as many papers as he could before beating him and Mike out to the street. They were a full block and a half from the cemetery before a word was spoken.
“Tell me we didn’t just…” Jason started to ask.
Tom was trembling so badly he could hardly speak. He nodded and kept nodding, trying to reclaim his stolen breath. He opened his mouth to say something but nothing came out. He couldn’t even think. The brief experience was so unnerving, so unsettling that he couldn’t decide whether it was reality or merely their wild imaginations.
Without a word, Mike took off running and high-tailed it out of there.
“Mike!” Jason yelled after him, but the petrified boy kept running—never once looking back.
Tom and Jason tried to rationalize in whispers. “Something’s not right with this,” Jason said, taking a knee on the sidewalk. “I think somebody’s playing with us.”
Tom had finally recovered the air he’d lost in his lungs. “It’s not like…like we can tell anybody,” he stammered. “Who would believe us?”
Jason shook his head. “This is bull, Tommy,” he blurted. “I’m going back.” He stood and started marching down the sidewalk.
Still perplexed by the disturbing experience, Tom’s heart and mind were instantly thrown into mortal combat. Like his older brother, he was attracted to the mystery of the supernatural. But the thought of a confrontation with some angry apparition terrified him. Go with Jason, he remembered screaming in his head and, one deep breath later, he was able to coax his legs to start moving.
As the anxiety levels turned Tom’s goose bumps into sandpaper, he discovered his brother hunched down in some bushes just outside the cemetery gates.
“Shhhh,” Jason whispered, his index finger pressed to his smirking lips. He pointed toward something with his other hand.
In the distance, an old man—presumably the cemetery’s grounds keeper—was half-concealed behind a large elm tree, scaring away a new band of thrill-seekers.
Jason stood and looked at Tom. “So you came back,” he said, impressed.
Tom nodded, never feeling more proud about anything in his young life.
“I told you there’s no such thing as monsters,” Jason said, laughing.
 “Except for Dad,” Tom said, still overjoyed he’d found a fraction of his brother’s courage to return to Jason’s side.
Jason nodded. “True, except for Dad.”

Author Bio:

Steven Manchester is the author of the #1 bestsellers Twelve Months, The Rockin’ Chair, Pressed Pennies, and Gooseberry Island as well as the novels Goodnight, Brian and The Changing Season. His work has appeared on NBC’s Today Show, CBS’s The Early Show, CNN’s American Morning, and BET’s Nightly News. Recently, three of Manchester’s short stories were selected “101 Best” for the Chicken Soup for the Soul series.


Find Steven on his Website, on Twitter, & on Facebook!

Giveaway:
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