31 July, 2015

#Interview with Anand Neelakantan, #Author of The Rise of Kali

The mahabharata endures as the great epic of india. While jaya is the story Of the pandavas, told from the perspective of the victors of kurukshetra, ajaya is the tale of the Kauravas, who were decimated to the last man. From the pen of the author who gave voice to Ravana in the national bestseller, asura, comes the riveting narrative which compels us to question The truth behind the mahabharata. As the Pandavas stake their claim to the Hastinapura throne, the Kaurava Crown Prince, Suyodhana, rises to challenge Krishna. As great minds debate dharma and adharma, power hungry men prepare for an apocalyptic war. The women, highborn and humble, helplessly watch the unfolding disaster with deep foreboding. And greedy merchants and unscrupulous priests lie in wait like vultures. Both sides know that beyond the agony and carnage the winner will take all. But even as gods conspire and men’s destinies unfold, a far greater truth awaits. The dark age of kali is rising and every man and woman must choose between duty And conscience, honour and shame, life and death…

Goodreads I Amazon


Interview with the Author


What does AJAYA signify in the title of the book?
Ajaya means unconquearable. The Kauravas were never conquered, they were decimated to the last man. Ajaya is also a play of words to show what is not Jaya, the original name of Mahabharata. Though Ajaya does not mean what is not Jaya, it is to imply that this is Mahabharata from the other side

After all your writing and research, what is your final opinion on Duryodhana as a man and a leader?
Suyodhana was a man far ahead of times. He had his flaws, he trusted his friends too much and took unnecessary risks, was more sincere to Karna than Karna was  to him and was passionate to the core. He believed in certain ideals, was sometimes naive and sometimes arrogant, but he never tried to justify his deed behind the cloak of dharma. He was a rebel, far ahead of his times and he paid the price.

Did the Kurukshetra war have any winners? What did it achieve? Can it be justified?
I think sage Vyasa gave the named his epic, "Jaya" to bring out the irony. There were no winners for the war. If the war was the victory of good for evil, after the war the evil age should not have started. This reasoning that it was fought for restoration of dharma fails, when we see that it is the age of Adharma that had risen after the war. So what was the purpose of war, as Balarama asks?

Was Draupadi perhaps the greatest victim in the Mahabharata?
Draupadi, like many other women and children, was also a victim of the war. All the women of Mahabharata are victims, trampled by a masculine world. Gandhari who lost all her sons, Kunti who lost all her grandsons and a son, Draupadi who lost all her sons, the Nishada woman who lost her life and all her sons, Hidumbi who lost her son, Uthara who lost her husband, Bhanumathi who lost both her husband and son- the list is endless. There is no justification in singling out Draupadi.

How do you explain Gandhari’s 100 sons and 1 daughter?
The ratio is perplexing. The entire Kuru race has 106 sons (including the Yuyutsu, the Vysya son of Dhritarashtra) and 1 daughter and may be Lakshmana is the only another woman in the household. Or may be all the 100s are not sons of Gandhari, but perhaps sons of Dhritarashtra (there are many other sons mentioned in some texts) and the daughters are not mentioned with the same importance as Dushala (Sushala) since they are not from the Royal womb of Gandhari. We do not know and we can only speculate. As I said, it was a man's world, not much different from now, where only lip service is given to the divinity of women.

Did any Kaurava survive the war?
Dhritarashtra, the real Kaurava was the ultimate victor

Do you feel a sense of catharsis having finished the book?
Writing any book is hard work, it is doubly so when the subject is the most complicated and biggest epic in the world

What are you working on now?
I am working as an episodic story writer for Star TV's upcoming serial Siya ke Ram. I am working on a fantasy thriller based on Mythology, tentatively titled Devayani. I have also signed up for a Hindi/Telugu bilingual and discussions are on for Asura to be made as Hindi/Tamil/Telugu trilingual film

What do you think made Leadstart take your book when other Publishers had not?
Leadstart took the book when not many were willing to publish mythology books. They saw the potential in Asura when others did not. Asura was an unusual book in the sense that it went against the conventional way of writing mythology. It is a disturbing book, not offensive, but something that would challenge the long held belief and give voice to the sceptic inside the reader. Not many publishers would take that risk.

How did you think of this concept? What got you inspired?
This was something that I have grown up with and I write about things that disturbs me most. The other side, hidden in the shadows, is always exciting to explore.

What do you think about writing as a profession in India?
Writing as a profession is yet to come of age in India. Except a few authors who have made it really big, it is difficult to earn a living out of writing. Despite spectacular success of Asura and Ajaya, I am yet to resign my job. There are many like me with a string of best sellers who still work for a living or are businessmen. Except Chetan Bhagat, Amish or one or two others, if we take the top 10 writers of the country, most of us are either businessmen or employees. There is a long way to go for us to see Indian writers owning private jets and mansions like what they do in the west. But apart from money, writing gives a lot of satisfaction which no other profession can. Writing in India, can be a rewarding hobby, at best and not a profession. 

Any message you would want to give to your readers?
Read the book with an open mind. Read good books not to get answers but to simulate more questions in your mind


No comments:

Post a Comment

Related Posts Plugin for WordPress, Blogger...